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#THE SEEKER THE WHO LIVE SOUNDBOARD PROFESSIONAL#
Our core businesses produce scientific, technical, medical, and scholarly journals, reference works, books, database services, and advertising professional books, subscription products, certification and training services and online applications and education content and services including integrated online teaching and learning resources for undergraduate and graduate students and lifelong learners. The best toys are the ones that are both educational and multi-purposeful.Wiley is a global provider of content and content-enabled workflow solutions in areas of scientific, technical, medical, and scholarly research professional development and education. It's been a while since this tape has been used so it is a welcome addition. This is the third consecutive Who release for the Rockmasters label and is as worth having as are the others. The final "Shakin' All Over" medley contains a rare early reference to "The Seeker", a single that wouldn't be released until April 1970. It certainly is one of the best versions from 1969 and hopefully the missing middle will one day surface. It's a shame most of Tommy is missing because this sounds like one of the all time great versions of the piece. "Sparks" in particular has nimble and powerful Townsend guitar solo and "Eyesight To The Blind" captures Entwistle's lyric bass. He also encourages the audience to watch the Joshua Light Show while they perform before launching into an aggressive version of "Overture". Townsend also explains how they are cutting down on the numbers they play so the can get to Tommy quicker since they are "in the mood now" to play it. "See? See? We don't play the same thing every night.We're gonna play a song for you, something we've never played before here at the Fillmore theater which we rehearsed this afternoon" Pete Townsend says before rambling on about a nightmare about the same four hunded people and blowing up his amplifier before "Young Man Blues". After "Heaven & Hell" and "I Can't Explain" Daltrey introduces "Fortune Teller" as an oldie. The tape begins with Bill Graham introducing the members of the band and saying "Welcome to a night of pure rock theater with our friends, The Who". But The Who were ferocious all during this year and this is no exception. Also the middle section of the tape is still missing, fading out in "Christmas" and picking up again for "See Me Feel Me".īy the fall of 1969 they were playing Tommy in its entirety so that means "The Acid Queen", "Pinball Wizard", "Do You Think It's Alright", "Fiddle About","Tommy Can You Hear Me", "There's A Doctor", "Go To The Mirror", "Smash The Mirror", "Miracle Cure", "Sally Simpson", "I'm Free", and "Tommy's Holiday Camp" are all omitted.
There is trace amounts of hiss and the stereo seperation is the same as the other recordings from the Graham archive. Rockmasters have given this tape its somewhat definitive release with this. All three previously released titles attributed this tape to the Fillmore West in San Francisco, ran too slow and sounded a bit thin. It is an excellent sounding soundboard on par with other well known recordings from the Bill Graham archives.
It was released on CD in 1992 as Accept No Substitute on Big M (Big 011), copied in 1994 as Sparks On The Bay on Oil Well (RSC CD 044) and copied yet again by the Australian label Mojo as The Who Live (Mojo 058).
Live At The Fillmore 1969 is another of Bill Graham's tapes that has seen wide circulation.
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